Peter Anton
Arman
Charles Arnoldi
Francis Bacon
John Baldessari
Beejoir
Charles Bell
Peter Blake
Kevin Bourgeois
Patrick Boussignac
Otto Bruch
Peter Buchman
Daniel Buren
GuangBin Cai
Cake & Neave (The Little Artists)
Alexander Calder
Enrique Chagoya
Eric Chan
Jim Christensen
Dan Colen
Ronnie Cutrone
Felix d´Eon
Davis & Davis
Andy Diaz Hope
Steven Dryden
Marlene Dumas
Sofia Echeverri
Faile
Linda Frost
Stephen Giannetti
David Gremard Romero
Fernando Guevara
Hanafi
Keith Haring
Gottfried Helnwein
Damien Hirst
David Hockney
Hush
Paul Jenkins
Brian Jones
Wonkun Jun
Anish Kapoor
Adam Katseff
Jeff Kellar
William Kentridge
Alexander Lee
Tamara de Lempicka
Chris Levine
Roy Lichtenstein
Tim Liddy
Kareem Lotfy
Charles Lutz
David Mach
Gabriel Mendoza
Norman Mooney
Malcolm Morley
Sarah Morris
Pard Morrison
Takashi Murakami
David Nadel
Nasirun
Claes Oldenburg
Jimmy Ong
Richard Pettibone
Joey Piziali
Larry Poons
Patrick Procktor
Sohan Qadri
Robert Rauschenberg
Man Ray
James Rosenquist
Thomas Ruff
Ed Ruscha
Ivan Sagito
Koeboe Sarawan
Francesco Scavullo
Richard Serra
Charles Sherman
Thad Simerly
Natthawut Singthong
Hunt Slonem
Justine Smith
Al Souza
STATIC
Frank Stella
Renee Stout
Tim Sullivan
Sunday B Morning
MangZi Tian
Ignacio Uriarte
Andy Warhol
John Waters
Dong Wei
John Westmark
Kehinde Wiley
Donald Roller Wilson
Richard Winkler
Shaoxiang Wu
Russell Young
Zeus



Joey Piziali

b. 1975 Stanford, California, USA
2005 MFA San Francisco Art Institute, CA
1997 BS University of Colorado, Boulder
Lives and works in San Francisco, CA

As a concrete allegory of our times, Joey Piziali’s art suggests a third path where the artist can represent a facet of reality without returning to the realistic figuration or abstract decoration of the surface.

Materials from urban landscape such as found billboard papers, latex paint, tape and rusted steel have been associated with ´spatio-temporal-matteric´ consciousness of Futurism or Nouveau Réalisme. However, Piziali’s adoption of these materials is neither through constructive collages of Futurism nor lacerated décollages of Nouveau Réalisme. Piziali’s materials emit a strong sense of individuality offering abundant melancholic and visceral interpretations, yet his works first and foremost emphasise the irreducible presence of the painting that refuses to be translated into any other form of expression.

Piziali has exhibited his works throughout the California region. de Saisset Museum, Santa Clara and the City of Palo Alto Art Collection, CA have his works in their public collections.
17 artworks
12
 
Gallery Policy | Copyright © 2007-2012 COLLECTORS CONTEMPORARY PTE LTD. All Rights Reserved.